Jason Sims

Jason Sims is an Australian artist who works in the realm of perceptual art. Utilising the properties of light and reflection, he creates simple illusions of space in the form of contemporary sculpture, large-scale installation and public art.

Jason was born in 1981 and he lives and works in Adelaide, Australia.

Biography
Jason Sims is an Australian artist who works in the realm of perceptual art.
Utilising the properties of light and reflection, he creates simple illusions of space in the form of contemporary sculpture, large-scale installation and public art.
Blurring the lines between reality and illusion, Sims’ captivating work defies notions of physical possibility.

Sims is most interested in producing work that serves as a vehicle to re-imagine the space encountered – to deconstruct perceived physical limitations – and facilitate a kind of meditative response allowing viewers to interpret the illusion of space created as reality.
He particularly enjoys working with illusion for its ability to evoke the sublime and its power to interrogate our understanding of the world around us.

Since graduating with a Bachelor of Visual Arts (Honours) from the University of South Australia in 2006, Sims has exhibited across Australia, and in Hong Kong, the USA and Europe.
His work is held in public and private collections around the world, and he recently completed his second major public artwork in Adelaide, South Australia.

Education
2007-2008 Bachelor of Education (Graduate Entry), The University of South Australia
2006 Bachelor of Visual Arts (Honours), The University of South Australia
2003-2005 Bachelor of Visual Arts, The University of South Australia / Bishops University, Canada

Solo exhibitions
2019 New Work, MARS Gallery, Melbourne, VIC, Australia
2018 Spatial Acuity, Madison Gallery, Solana Beach, CA, USA
2017 Built Space, MARS Gallery, Melbourne, VIC, Australia
2016 More or Less, MARS Gallery, Melbourne, VIC, Australia
2015 The Collections Project, Art Gallery of South Australia, Adelaide, SA, Australia
2014 Timelines, MARS Gallery, Melbourne, VIC, Australia
2013 Fragment, The Cat Street Gallery, Hong Kong, China
2013 The Space Between, Hugo Michell Gallery, Beulah Park, SA, Australia
2013 Adelaide SA Beyond, MARS Gallery, Melbourne, VIC, Australia
2012 Simulacra, Sabbia Gallery, Sydney NSW Nowhere, Aeon Arts, Syndicate Gallery,
Sydney, NSW, Australia
2011 BlackBox, Gaffa – Rocks Pop-up Gallery, Sydney, NSW, Australia
2011 Present in Absence, AP Bond Aboriginal and Contemporary Art, Adelaide, SA, Australia
2010 Suspend, Gallery 139, Adelaide, SA, Australia

Art fairs
2020 London Art Fair, ARTITLEDcontemporary, London, United Kingdom
2020 Tom Malone Prize 2020, Art Gallery of Western Australia, Perth, WA, Australia
2019 London Art Fair, ARTITLEDcontemporary, London, United Kingdom
2019 PAN Amsterdam, ARTITLEDcontemporary, Amsterdam, The Netherlands
2019 Sydney Contemporary, MARS Gallery, Sydney NSW
2019 Art Market San Francisco, Madison Gallery, San Francisco, CA, USA
2019 KunstRAI Amsterdam, ARTITLEDcontemporary, Amsterdam, The Netherlands
2019 Beyond Borders, Unit London, London, United Kingdom
2018 PAN Amsterdam, ARTITLEDcontemporary, Amsterdam, The Netherlands
2018 Sydney Contemporary, MARS Gallery, Sydney, NSW, Australia
2018 Hong Kong Central Art Fair, MARS Gallery, Hong Kong, China
2018 London Art Fair, ARTITLEDcontemporary, London, United Kingdom
2018 BOAA, Biennale of Australian Art, Art Gallery of Ballarat, Ballarat ,VIC, Australia
2018 Curiouser & Curiouser, Bathurst Regional Art Gallery, Bathurst, NSW, Australia
2018 Tom Malone Prize 2018, Art Gallery of Western Australia, Perth, WA, Australia
2018 Imagine, Gippsland Art Gallery, Sale, VIC, Australia
2017 Art The Hague, ARTITLEDcontemporary, The Hague, The Netherlands
2017 Hong Kong Central Art Fair, MARS Gallery, Hong Kong, China
2016 Incandescence, Grace Cossington Smith Gallery, Sydney, NSW, Australia
2015 Patternation, Hazelhurst Regional Art Gallery, Sydney, NSW, Australia
2015 Tom Malone Prize 2015, Art Gallery of Western Australia, Perth, WA, Australia
2015 Sydney Contemporary, MARS Gallery, Sydney, NSW, Australia
2014 New Works, MARS Gallery, Melbourne Art Fair, Melbourne, VIC, Australia
2014 Young Collectors, Hugo Michell Gallery, Adelaide, SA, Australia
2010 SafARI, First Draft Gallery, Sydney, NSW, Australia
Art fairs

Awards
2020 Project Grant, Arts South Australia Finalist, Tom Malone Glass Prize
2019 Finalist, Nillumbik Prize for Contemporary Art
2018 Finalist, Tom Malone Glass Prize
2018 Building Pathways Grant, Arts SA
2017 Project Grant, Arts SA
2015 Winner, The Advertiser Contemporary Art Prize, SALA Festival
2015 Project Grant, Arts SA
2015 Finalist, Tom Malone Glass Prize
2014 Winner, People’s Choice Award, Hobart Art Prize
2013 Finalist, Tom Malone Glass Prize
2013 Tom Malone Prize 2013, Art Gallery of Western Australia, Perth, WA, Australia
2012 Tom Malone Prize 2012, Art Gallery of Western Australia, Perth, WA, Australia
2012 Project Grant, Arts SA
2012 Jump Mentorship, Youth Arts Queensland, supported by Australia Council
2012 Finalist, Tom Malone Glass Prize
2012 Finalist, Alice Prize
2011 Finalist, Tom Malone Glass Prize
2010 ArtStart Grant, Australia Council for the Arts

Publications
2018 Ashley Crawford, What Next – Jason Sims, Art Collector Special Ed, Sydney
Contemporary, pp. 34-35
2017 Contemporary Australian Glass: The Tom Malone Prize 2003-2017, Art Gallery of Western
Australia, 2017
2016 Nick Mitzevich, The secret lives of artists, InDaily, October 05 2016
2015 Freya Herring (ed.), Don’t Miss, Vogue Living, July – August 2016, p.120
2015 Robert Reason, ‘SALA Festival: Jason Sims’, Articulate, Winter 2015, pp.12-13
2015 Jane Llewellyn, ‘Profile: Jason Sims’, The Adelaide Review, July 2015, p.31
2015 Peter McDonald, ‘Glass is half full for Jason’, The Advertiser, July 04 2015, p.21
2014 Helen McKenzie, ‘Lightbulb Moments’, Art Collector Special Ed, Melbourne Art Fair, pp.48-51
2013 Suzanne Peck, ‘On the Edge’, Craft Arts International, No. 87, 2013, pp. 30-33

Public Art & Private Commissions
2020 Landscape of Light, 660cm long wall work commissioned by AMP Capital Investors for
2020 ground floor lobby, Collins Street, Melbourne, VIC, Australia
2019 Echo, public artwork commissioned by Unley City Council, Heywood Park, Unley,
Adelaide, SA, Australia
2018 Untitled, site-specific installation transforming unused, built-in aquarium for private
client, Melbourne, VIC, Australia
2017 Golden Rhombohedron (acute), public artwork commissioned by Adelaide City Council
and Renew Adelaide for the Market to Riverbank link, Bank Street, Adelaide, SA, Australia
2017 Untitled, site-specific installation at MARS Gallery, Melbourne, VIC, Australia
2016 MDLU 792015 4, public artwork for M Docklands, Melbourne, VIC, Australia

Collections
Art Gallery of Western Australia
Gippsland Art Gallery
Artbank, National Contemporary Art Rental
Private collections national and international


Paul Snell

The pause, the gap and the omission are increasingly significant in our saturated image driven society. Through this work the daily saturation is replaced by selective sensitisation, these pieces continue my exploration of non-representative forms and examines the possibilities of abstraction and minimalism in photo-media. The work investigates the transformation of photographic modes of production and the manipulation and exploitation of data to invent new visual forms. By rhythmically repeating, pairing, overlapping, reversing and sequencing through the investigations of specific colour relationships, I seek a sensory understanding of the physical object. These pieces are not representations of certain realities; they are their own reality.

Paul was born in 1968 and he lives and works in Launceston, Tas, Australia.

Biography
Snell’s practice employs digital techniques to explore abstraction and minimalism within photo-based media.
Assembled primarily with chromatic prints mounted on plexiglass, each work investigates the scope of photographic-based work by manipulating digital colour fields to develop new and experimental visual forms.
Each series explores the values of unique colour relationships through aspects of repetition, rhythm, amalgamation and sequence.
Snell is influenced by the modernist artists of the 20th Century, echoing the pursuit of representing the intrinsic elements of visual aesthetics through process of refinement and reduction.
Through flawless digital assemblage, Snell helps draw attention to the innate characteristics of modern fabricated materials, including qualities of precision and simplicity.
Compositions capture numerous dichotomies and questions that underpin contemporary photographic arts practice, drawing on tensions between digital and analogue design, mechanical and manual fabrication, as well as combining intangible concepts within a physical form.
In doing so, Snell produces contemplative and engaging works that simultaneously draw the viewer in as well as push them away, offering an endlessly evolving space of infinite optical possibilities, yet shielded by a flawless visual barrier or void, empty of human interaction or trace.
Snell has exhibited throughout Australia, as well as the United States and Europe.
His work is held in important private and public collections both nationally and internationally, including Art Bank, Tasmanian Museum and Art Gallery and the Justin House Museum.
Snell has been a finalist in numerous art prizes including The Blake Prize (2011,2018), The Geelong Print Prize (2011), and The Glover Prize (2013,2018, 2019, 2021).
Snell has been chosen as the  to winner the following art prizes:  Tidal Art Prize (2012), The Flanagan (2012), Whyalla Art Prize (2015) and Morton Bay Art Award (2015).

Solo exhibitions
2022 Visceral – Studio Gallery, Armadale, Vic
2021 Longing for Less – Rosny Barn, Hobart, Tas
2021 Sub-Liminal – Riddoch Art Gallery, Mt Gambier, SA
2020 Incidental Contact – Australian Consulate-General, NY
2020 Bleed – Gallery 9, Sydney, NSW
2019 Untitled TZT038 – Bos Fine Art, Den Haag
2018 Timbre  – Colville Gallery, Hobart, Tas
2018 Vanishing Point – Gallery 9, Sydney, NSW
2017 Mute – Colville Gallery, Hobart, Tas
2017 Chromophilia – Gallery 9, Sydney, NSW
2017 The Liminal Space – Moonah Arts Centre, Hobart, Tas
2016 The Liminal Space – QVMAG, Launceston, Tas
2016 Formal – Gallery 9 – Sydney, NSW
2015 Intersect – Colville Gallery – Hobart, Tas
2015 Sectant – Gallery 9, NSW
2015 Decoding Sydney – Gaffa, Sydney, NSW
2014 Shift – Colville Gallery Hobart, Tas
2013 Chromophobia – Colville Gallery, Hobart, Tas
2013 Decoding New York – Edmund Pearce Gallery, Vic
2013 Chromophobia – Rex Livingston Gallery, Sydney, NSW
2013 Chromophobia – Jan Manton Gallery, Qld
2012 Afterimage -Devonport Regional Gallery, Tas
2012 The Persistence of Vision – The Colour Factory, Melbourne, Vic
2012 Codes and Conventions – Colville Gallery, Hobart, Tas
2011 Afterglow – 146 Artspace, Hobart, Tas

Art fairs
2021 Art Moments, Jakarta, Indonesia
2020 Sydney Contemporary (presents 2020, the year that was)
2020 Intersect Aspen, Aspen, USA
2017 Den Fair, Vic
2014 Melbourne Art Fair, Vic
2013 Spectrum Art Fair, New York, New York
2013 Art Hamptons, International Art Fair, New York

 

 


Maria Svarbova

Maria’s distinctive style departs from traditional portraiture and focuses on experimentation with space, color, and atmosphere. Taking an interest in communist-era architecture and public spaces, Maria transforms each scene with a modern freshness that highlights the depth and range of her creative palette. The human body throughout her oeuvre is more or less a peripheral afterthought, often portrayed as aloof and demure rather than substantive. Carefully composed figures create thematic, dream-like scenes with ordinary objects. Her images hold a silent tension that hints at emergent possibilities under the lilt of clean and smooth surfaces.

Maria was born in 1988 and she lives and works in Slovakia.

Biography
Despite studying restoration and archeology, her preferred artistic medium is photography. From 2010 to the present, the immediacy of Maria’s photographic instinct continues to garner international acclaim and is setting new precedents in photographic expression.
The recipient of several prestigious awards (including Hasselblad Masters Award), her solo and group exhibitions have placed her among the vanguard of her contemporaries, attracting features in Vogue, Forbes, CNN, The Guardian, and publications around the world; her work is frequently in the limelight of social media.
Maria’s reputation also earned her a spot on the coveted 30 under 30 Forbes list as well as a commission for a billboard-sized promotion on the massive Taipei 101 tower, in Taiwan.
In 2019, Apple commission her to create an exclusive photography series shot by iPhone.

Maria’s distinctive style departs from traditional portraiture and focuses on experimentation with space, color, and atmosphere. Taking an interest in communist-era architecture and public spaces, Maria transforms each scene with a modern freshness that highlights the depth and range of her creative palette.
The human body throughout her oeuvre is more or less a peripheral afterthought, often portrayed as aloof and demure rather than substantive.
Carefully composed figures create thematic, dream-like scenes with ordinary objects.
Her images hold a silent tension that hints at emergent possibilities under the lilt of clean and smooth surfaces.

There is often a sense of cool detachment and liminality in Maria’s work.
Routine actions such as exercise, doctor appointments, and domestic tasks are reframed with a visual purity that is soothing and symmetrical and at times reverberant with an ethereal stillness.
The overall effect evokes a contemplative silence in an extended moment of promise and
awareness – a quality difficult to achieve in the rapid pace of modern life.
Maria’s postmodern vision boldly articulates a dialog that compels the viewer to respond to the mystery, loneliness, and isolation of the human experience.
Nevertheless, deeply embedded within the aqueous pastels, Maria’s compositions hold to a celebratory elegance that transforms the viewer’s gaze into an enduring reverence for life’s simple beauty.

Solo exbhibitions
2019 Yesterday’s Future, Gilman Contemporary, Ketchum, USA
2019 Swimming Pool, Lotte Gallery, South Korea
2019 Swimming Pool, Collective, Slovakia
2019 Swimming Pool, MMAM Museum, Minesota, USA
2018 Asia Premiere_Expo solo show of the whole work, Art Angle Gallery, Taipei, Taiwan
2018 Swimming Pool, Clube de Criativos de Portugal, Lisbon, Portugal
2018 Swimming Pool, Delpozo Store, London, United Kingdom
2018 Swimming Pool, Gilman Contemporary, Ketchum, Idaho, USA
2017 Swimming Pool, Leica Gallery, Miami, USA
2017 Snow Pool, Gilman Contemporary, Ketchum, USA
2017 Swimming Pool, Fotomaton Festival, Orihuela, Spain
2017 Swimming Pool, Leica Gallery, Rome, Italy
2017 Swimming Pool, Leica Gallery, Bologna, Italy
2016 Swimming Pool, Plenum Gallery, Catania, Sicily

Group exhibitions
2018 Wheather, D Museum, South Korea
2016 Talent Latent, Tarragona, Spain
2015 Polish International Exhibition, Poland

Art fairs
2020 Photo Basel, Alex Schelsinger Gallery, Switzerland
2020 Art Madrid Fair, Gallery BAT, Madrid, Spain
2020 Art Wynwood, Contessa Gallery, Miami, USA
2019 Art Madrid Fair, Gallery BAT, Madrid, Spain
2019 Photo Basel, Alex Schelsinger Gallery, Switzerland
2019 Art Miami, Contessa Gallery, Miami, USA
2019 Art Fair Washington DC, Momentun Fine Art, USA
2018 Art Miami, Contessa Gallery, Miami, USA
2018 Art fair Japan, Momentum Fine Art Gallery, Hong Kong, Japan
2017 Scope Art Show, Art Miami, Miami, USA
2017 Foto Istanbul Festival, Istanbul
2017 Zona Maco Foto, Mexico City, Mexico
2017 Photo Independent Art Fair, Los Angeles, USA
2017 ART OVRAG, the 7th international festival of the new urban culture, Vyksa, Russia
2016 PhotoVogue Festival, Vogue Italy, Milan, Italy
2016 Talent Latent, Tarragona, Spain


Peter Stewart

Peter Stewart is an Australian artist known for documenting the ever changing urban environments of Asia’s megacities. For over ten years, he has been traveling full time with no permanent residence, photographing the cityscapes and high rise architecture of locations such as Tokyo, Singapore and Hong Kong. His style focuses on the patterns in repetition and symmetry of urban architecture, with careful framing and manipulation to create works that question the reality of what we are viewing. Peter’s work has been featured in numerous publications including National Geographic, GEO, Wired, and Travel + Leisure, alongside collaborations with Apple, Google and Nikon Asia.

Dean West

Born and raised in Australia, Dean West is a hyper-realistic photographer who creates intrinsic images capturing both the imagination and an artistic eye. Studying photography at school in the dark-room, his images have evolved into stunning and complex arrangements of models, objects, backgrounds and lighting styles. In the modern-era of art and photography, artists and photographers continuously stretch the boundaries of their creative abilities, allowing them to express the surreal, the impossible and the subjects of our dreams; Dean West certainly comes under that description.

Dean was born in 1983 and he lives and works in Florida, USA.

Biography
A wide range of environments and character types are explored in the works of the Florida based Dean West. The Australian-born artist who studied at the Queensland College of Art, is best known for his intricate and highly staged photographs that take everyday occurrences beyond the realm of natural reality. Extraordinary in their tonal range, digital clarity, and artistic vision, West’s meticulously choreographed scenes, character studies, and atmospheric landscapes powerfully yet synthetically link needs to desires and documentation to invention.

Passionately dedicated to the vast possibilities of digital photography as both a medium and a cultural epoch, West’s narratives draw inspiration from the total diversity offered by the visual arts. While the tableau photography of Stan Douglas and Jeff Wall inform West’s understanding of photography as a form of contemporary communication, the paintings of David Hockney and Edward Hopper provide evident aesthetic direction. The fictional world of cinema and the functional language of advertising have also clearly left their mark and taught lessons of their own.

International brands have embraced West’s vision through partnerships and important clients such as Disney, MTV, Bombay Sapphire, and Fox Sports. Recognized as one of Saatchi & Saatchi’s “Top 100 Emerging Photographers” in 2008, West has also been honored with “Advertising Photographer of the Year” at the International Loupe Awards (2008) and the prestigious “Arte Laguna Prize” in Venice, Italy (2009.)

International art curators have taken notice of the accomplished skill West applies to both his digital photography technique and the complex, cerebral narratives offered in his images. His works have been exhibited at important institutions around the world including the Columbus Museum of Art (2012), Faneuli Hall Museum of Boston (2015), the Paris Expo Porte De Versailles (2015), Puls 5 Gallery in Zürich, and the Discovery Times Square Museum in New York City (2014). Hailed as one of the most promising artists of his generation and identified as one of the most accomplished practitioners of digital image making as an art form, West has been honored by acquisitions of his work by some of the most prestigious collections of contemporary art, including that of Sir Elton John.

Solo exhibitions
2017 Лучшее из West, Erarta Museum of Contemporary Art, St Petersburg, Russia
2016 2015 – 2020, Alison Milne Gallery, Toronto, ON, Canada
2016 In Pieces, Cupula Gallery, Barcelona, Spain
2015 In Pieces, Puls 5 Gallery, Zurich, Switzerland
2015 In Pieces, Franklin Institute Museum, Philadelphia, PA, USA
2015 In Pieces, Fotografica de Colombia Biennial, Bogota, Colombia
2015 In Pieces, Paris Expo Gallery, Porte de Versailles, Paris, France
2015 In Pieces, Old Truman Brewery, London, United Kingdom
2015 In Pieces, Faneuil Hall Museum Boston, Boston, MA, USA
2014 In Pieces, Anchorage Museum of Art, Anchorage, AK, USA
2014 In Pieces, Art & Culture Center, Hollywood, FL, USA
2014 In Pieces, Discovery Centre Times Square, New York, NY, USA
2013 In Pieces, Turtle Bay Exploration Park, Redding, CA USA
2013 In Pieces, Open house Gallery, New York, NY, USA
2012 In Pieces, Clinton Presidential Centre, Little Rock, AR, USA
2012 In Pieces, The Columbus Museum of Art, Columbus, OH, USA
2010 Fabricate, Fornace di Asolo, Treviso, Italy
2010 Fabricate, One800 Gallery, Toronto, ON, Canada

Art fairs
2023 Photo London, ARTITLEDcontemporary, The Netherlands
2023 London Art Fair, ARTITLEDcontemporary, The Netherlands
2022 PAN Amsterdam, ARTITLEDcontemporary, The Netherlands
2022 Photo London, ARTITLEDcontemporary, The Netherlands
2021 PAN Amsterdam, ARTITLEDcontemporary, The Netherlands
2021 Photo London, ARTITLEDcontemporary, The Netherlands
2019 Phytology Photography, Alison Milne Gallery, Toronto, ON, Canada
2018 SCOPE Miami Beach, Miami, FL, USA
2018 Art Market Hamptons, New York, NY, USA
2018 Texas Contemporary, Houston, TX, USA
2017 The Other Art Fair, Brooklyn, NY, USA
2017 Art Market Hamptons, New York, NY, USA
2017 SCOPE New York, New York, NY, USA
2016 Art Market Hamptons, The Bridgehampton Museum, NY, USA
2016 Art Southampton, Southampton, NY, USA
2016 Hamptons Contemporary, Southampton, NY USA
2016 Affordable Art Fair, New York, NY, USA
2015 SCOPE New York, New York, NY, USA
2014 SCOPE Miami Beach, Miami, FL, USA
2014 SNAP Orlando, CU1 Gallery, Miami, FL, USA
2014 Dallas Art Fair, Dallas, TX, USA
2014 Faux Show, Islip Art Museum, Long Island, NY, USA
2013 Staging & Revelation, Galeria de Arte AFK, Lisbon, Portugal
2013 Stage of Mind, Opiom Gallery, Opio, France
2013 Art on the Edge, Vered Contemporary, East Hampton, NY, USA
2012 Photo Reload, Romberg Art Contemporana, Latina, Italy
2012 Worldwide Biennial WGPA, Palais de Glace, Buenos Aires, Argentina
2011 Flash Forward Magenta Foundation, The Distillery, Toronto, Canada
2010 Arte Laguna Prize, Le Tese di san Cristoforo, Venice, Italy
2010 Northern Lights, Atelier 688, Toronto, Canada
2008 Top 100 Emerging Photographers, Saatchi & Saatchi, Cannes, France
2006 Saving Daylight, Queensland College of Art, Brisbane, Australia

Awards
2019 200 Best Ad Photographers 19/20 Luerzer’s Archive
2019 Lens Culture Emerging Talents Lens Culture Inc, Netherlands
2018 Winner in the 11th Annual Masters International Color Awards, London
2018 IPA Awards, Lucie Foundation, Fine Art Pro, 3rd Place
2013 Blue Diamond Photo Award, Blue Diamond, Croatia
2013 Emerging Talent Jury Winner, Morpholio Eyetime 2013, USA
2012 ‘In Pieces’ Applied Arts Magazine Winner, Canada
2011 Illustrative Photographer of the Year International Loupe Awards, Australia
2011 Pollux Award Worldwide Photography Gala Directors Special Mention, Fabricate
2011 Official Selection Prix De La Photographie Paris, Paris, France
2011 Emerging Photographer of Canada, Flash Forward, Magenta Foundation, Canada
2011 ‘Fabricate’, Applied Arts Magazine Winner, Canada
2011 IPA Awards, Lucie Foundation 2nd Place, Fine Art Pro, USA
2011 Australia’s Top Photographer Nominee, Creative Magazine, Australia
2011 AIPP Australian Pro Photographer Awards, Creative Photographer of the Year Runner Up
2010 Winner of IV International Arte Laguna Prize Fotografica, ‘Fabricate’ Venice, Italy
2010 Advertising Photographer of the Year International Aperture Awards, Australia
2010 Visual Artist of the Year, Africa Photographic Awards, Johannesburg, SA
2010 Winner in the 4th Annual Masters Cup International Colour Awards, London, United Kingdom
2010 ‘Fabricate’, Applied Arts Winner, Canada
2010 Applied Arts Winner, Canada ‘Every Dink Counts’ QLD Government
2009 IPA – Honourable Mention, Lucie Foundation, USA
2008 Top 100 Emerging Photographers Saatchi & Saatchi, Cannes, France
2008 Advertising Photographer of the Year, International Aperture Awards, USA


Stephen Wilkes

Since opening his studio in New York City in 1983, photographer Stephen Wilkes has built an unprecedented body of work and a reputation as one of America’s most iconic photographers, widely recognized for his fine art, editorial and commercial work.

Stephen was born in 1957 and he lives and works in New York.

Biography
Since opening his studio in New York City in 1983, photographer Stephen Wilkes has built an unprecedented body of work and a reputation as one of America’s most iconic photographers, widely recognized for his fine art, editorial and commercial work.

His photographs are included in the collections of the George Eastman Museum, James A. Michener Art Museum, Houston Museum of Fine Arts, Dow Jones Collection, Carl & Marilynn Thoma Art Foundation, Jewish Museum of NY, Library of Congress, Snite Museum of Art, The Historic New Orleans Collection, Museum of the City of New York, 9/11 Memorial Museum and numerous private collections.
His editorial work has appeared in, and on the covers of, leading publications such as the New York Times Magazine, Vanity Fair, Time, Fortune, National Geographic, Sports Illustrated, and many others.

Wilkes’ early career interpretations of Mainland China, California’s Highway One, and impressionistic Burned Objects set the tone for a series of career-defining projects that catapulted him to the top of the photographic landscape.
In 1998, a one-day assignment to the south side of Ellis Island led to a 5-year photographic study of the island’s long abandoned medical wards where immigrants were detained before they could enter America.
Through his photographs and video, Wilkes helped secure $6 million toward the restoration of the south side of the island.
A monograph based on the work, Ellis Island: Ghosts of Freedom, was published in 2006 and was named one of TIME magazine’s 5 Best Photography Books of the Year.
The work was also featured on NPR and CBS Sunday Morning.

In 2000, Epson America commissioned Wilkes to create a millennial portrait of the United States, America In Detail, a 52-day odyssey that was exhibited in New York, Chicago, Los Angeles and San Francisco.
Day to Night, Wilkes’ most defining project, began in 2009.
These epic cityscapes and landscapes, portrayed from a fixed camera angle for up to 30 hours capture fleeting moments of humanity as light passes in front of his lens over the course of full day. Blending these images into a single photograph takes months to complete.
Day to Night has been featured on CBS Sunday Morning as well as dozens of other prominent media outlets and, with a grant from the National Geographic Society, was recently extended to include America’s National Parks in celebration of their centennial anniversary and Bird Migration for the 2018 Year of the Bird.
Day to Night: In the Field with Stephen Wilkes was exhibited at the The National Geographic Museum in February, 2018.

Day to Night was published by TASCHEN as a monograph in 2019.
The book is available as an XXL Edition and an Art Edition, the latter including one of two fine art prints from the Day to Night series.

Wilkes’ work documenting the ravages of Hurricanes Katrina and Sandy has brought heightened awareness to the realities of global climate change.
He was commissioned by the Annenberg Space for Photography to revisit New Orleans in 2013 after documenting Hurricane Katrina for the World Monuments Fund.
His images were exhibited with his photographs on Hurricane Sandy in the 2014 Sink or Swim, Designing for a Sea of Change exhibition.

Wilkes directorial debut, the documentary film, Jay Myself, world premiered to a sold out crowd at DOCNYC November 11, 2018.
The film is an in depth look into the world of photographer Jay Maisel and his move out of his 35,000 sq. foot building at 190 Bowery.

Wilkes was a speaker at the TED2016: Dream Conference on his Day to Night series.
In 2017 Wilkes was commissioned by the US Embassy, Ottawa to create a Day to Night photograph of Canada’s 150th anniversary of Confederation.

Despite his intense dedication to personal projects, Wilkes continues to shoot advertising campaigns for the world’s leading agencies and corporations, including: Netflix, OppenheimerFunds, SAP, IBM, Capital One, The New Yorker, Johnson & Johnson, DHL, American Express, Nike, Sony, Verizon, IBM, AT&T, Rolex, Honda.
Wilkes’ extensive awards and honors include the Alfred Eisenstaedt Award for Magazine Photography, Photographer of the Year from Adweek Magazine, Fine Art Photographer of the Year 2004 Lucie Award, TIME Magazine Top 10 Photographs of 2012, Sony World Photography Professional Award 2012, Adobe Breakthrough Photography Award 2012 and Prix Pictet Consumption 2014.
His board affiliations include the Advisory Board of the S.I. Newhouse School of Communications; Save Ellis Island Board of Directors, on which he served for 5 years; and the Goldring Arts Journalism Board.

Wilkes was born in 1957 in New York.
He received his BS in photography from Syracuse University S.I. Newhouse School of Public Communications with a minor in business management from the Whitman School of Management in 1980.

Wilkes, who lives and maintains his studio in Westport, CT, is represented by Bryce Wolkowitz Gallery in New York, Fahey Klein Gallery in Los Angeles, Monroe Gallery of Photography in Santa Fe, Holden Luntz Gallery in Palm Beach, ARTITLEDcontemporary in The Netherlands and ProjectB Gallery in Milan.

Education
Bachelor of Science
S.I. Newhouse School of Public Communications, Syracuse University
Major: Photography
Concentration; Business Communications
Martin J. Whitman School of Management, Syracuse University

Solo exhibitions
2019 Day to Night, Florida Museum of Photographic Arts, Tampa, FL, USA
2019 Bird Migration, National Museum of Wildlife Art of The United States, Jackson, WY, USA
2019 Day to Night: Holden Luntz Gallery, Palm Beach, FL, USA
2018 Day to Night: ProjectB Gallery, Milan, Italy
2018 Day to Night: Fairfield Museum and History Center, Fairfield, CT, USA
2018 Day to Night: In the Field with Stephen Wilkes, National Geographic Museum,
Washington, D.C., USA
2017 Day to Night, Galerie GadCollection, Paris, France
2017 Day to Night, Bryce Wolkowitz Gallery, New York, NY, USA
2017 Ellis Island Ghosts of Freedom, Peter Fetterman Gallery, Santa Monica, CA, USA
2016 Day to Night, Robert Klein Gallery, Boston, MA, USA
2015 Day to Night, Bryce Wolkowitz Gallery, New York, NY, USA
2015 Remnants, Monroe Gallery of Photography, Santa Fe, NM, USA
2014 Day to Night, Peter Fetterman Gallery, Santa Monica, CA, USA
2013 Bethlehem Steel, ArtsQuest Center at SteelStacks, PA, USA
2012 Day to Night, Monroe Gallery of Photography, Santa Fe, NM, USA
2011 Connecticut Responds & Reflects: 9/11, Fairfield Museum, Fairfield, CT, USA
2011 Day to Night, Clampart Gallery, New York, NY, USA
2010 Nu-Art Link Gallery, China, Westport, CT, USA
2010 James A. Michener Art Museum, Ellis Island, Doylestown, PA, USA
2009 Steuben Glass Gallery, Ellis Island, New York, NY, USA
2008 Monroe Gallery of Photography, China, Santa Fe, NM, USA
2009 Fairfield Museum, Images, Fairfield, CT, USA
2008 The Construction of the Olympic Stadium and other Chinese Public Works, ClampArt,
New York, NY, USA
2008 China, David Gallery, Los Angeles, CA, USA
2008 Stephen Wilkes, Ellis Island, Chicago Cultural Arts, Chicago, IL, USA
2008 Stephen Wilkes, Ellis Island, Griffin Museum of Photography, Winchester, MA, USA
2007 Stephen Wilkes, China, ClampArt, New York, NY, USA
2007 Stephen Wilkes, Ellis Island, ClampArt, New York, NY, USA
2006 Ellis Island Revisited, Monroe Gallery of Photography, Santa Fe, NM, USA
2006 Ellis Island Revisited, David Gallery, Los Angeles, CA, USA
2006 In Katrina’s Wake, World Monuments Fund Gallery, New York, NY, USA
2005 Bethlehem Steel, Monroe Gallery of Photography, Santa Fe, NM, USA
2004 Bethlehem Steel, Apex Fine Art, Los Angeles, CA, USA
2004 Ellis Island, Monroe Gallery of Photography, Santa Fe, NM, USA
2003 Ellis Island, Apex Fine Art, Los Angeles, CA, USA
2002 The Female Form on the Lava Beds of Hawaii, Soho Triad Fine Arts, New York, NY, USA
2001 Ellis Island, Soho Triad Fine Arts, New York, NY, USA
2000 America in Detail, Chicago, New York, Los Angeles and San Francisco, CA, USA

Group exhibitions
2017 Who Shot Sports: A photographic History, 1843 – Present, Brooklyn Museum, NY, USA
2015 Arts in Embassies: Ottawa, ON, Canada
2014 Annenberg Space for Photography, Sink or Swim, Designing for a Sea of Change
2014 Museum of the City of New York, Rising Waters, Photographs of Hurricane Sandy
2013 Museum of the City of New York, Rising Waters, Photographs of Hurricane Sandy
2012 Peter Fetterman Gallery, Forever Young, The Art of Music Photography
2004 Florence Lynch Gallery, Hypertexture, New York, NY, USA
2000 Soho Triad Fine Arts, Summer Works, New York, NY, USA
1992 George Eastman House: The Art of Persuasion, Rochester, NY, USA

Awards
2018 American Photography, Selected Winner
2018 PDN Award of Excellence, Advertising
2017 American Photography, Selected Winner
2015 Prix Pictet, Consumption, Honorable Mention
2015 American Photography, Selected Winner
2014 PDN Award of Excellence, Photojournalism, Vanity Fair
2014 American Photography, Selected Winner
2014 American Photography, Award of Excellence
2013 PDN Award of Excellence, Photojournalism, Sandy
2013 PDN Award of Excellence, Fine Art, Day to Night Shanghai
2013 Communication Arts Photography Award of Excellence
2013 American Photography, Award of Excellence
2012 Time Magazine Top 10 Photographers
2012 Communication Arts Photography Award of Excellence
2012 Sony World Photography Professional Award
2012 Adobe Breakthrough Photography Award
2011 Photo District News Award of Excellence
2011 American Photography, Award of Excellence
2010 American Photography, Award of Excellence
2010 PX3 Prix de la Photographie Paris Fine Art Series 2nd Place & 3rd Place, Photojournalism
2009 American Photography, Award of Excellence
2008 World in Focus PDN, Portraits/Sense of Place 1st, Place
2007 Prix De La Photographie Paris, Honorable Mention; Human Condition
2007 Lucie Awards 1st. Place, Professional Photographer, Editorial, The Rise of Big Water
2007 Lucie Awards 1st. Place, Fine Art, Ellis Island: Ghost of Freedom Lucie Awards
2007 American Photography, Award of Excellence
2006 Photo District News Award of Excellence
2005 American Photography, Award of Excellence
2004 Epson Creativity Award
2000 Communication Arts Award of Excellence
2004 Lucie Award Fine Art Photographer of the Year
2000 Alfred Eisenstaedt Award for Magazine Photography
1992 The Art Directors Club Distinctive Merit
1992 Adweek Magazine Photographer of the Year

Collections
George Eastman House International Museum of Film and Photography
Dow Jones Collection
The Museum of Fine Arts, Houston
Library of Congress
Carl and Marilynn Thoma Art Foundation
Griffin Museum of Photography
Jewish Museum New York
Barclays Bank Corporate Collection
James A. Michener Art Museum
The Historic New Orleans Collection
Museum of the City of New York
Snite Museum of Art
9/11 Memorial Museum
New Mexico Arts Division, Department of Cultural Affairs

Professional memberships
The Newhouse Advisory Board
The Goldring Journalism Arts Program
Fairfield Museum Advisory Board
Save Ellis Island, Board of Directors

Teaching experience
2019 Palm Springs Photo Festival
2017 School of Visual Arts
2016 Xposure International Photography Festival
2016 Ted Talk Dream Conference
2014 Greg Gorman Digital Photographic Workshop
2013 Palm Springs Photo Festival
2011 Palm Springs Photo Festival
2010 James A Michener Art Museum Lecturer
2009 The George Eastman International Museum of Film and Photography
2008 Palm Springs Photo Festival
2007 ICP Guest Lecturer
2007 Hallmark Institute of Photography
2000 – present Photo Plus Expo East
2000 – present Eddie Adams Workshop
1999 Maine Photographic Workshop
1988 Maine Photographic Workshop

Bibliography
2019 HOT Photo Magazine
2019 Stern Magazin
2018 Photo Magazine
2018 Artsy
2017 Travel & Leisure
2017 Wall Street Journal
2017 Time Magazine
2017 Bloomberg Businessweek
2017 Smithsonian Magazine
2016 National Geographic
2015 National Geographic
2015 National Geographic
2015 The New York Times Magazine
2015 ESPN
2014 Time Magazine
2014 Time Magazine
2014 Vanity Fair
2014 Vanity Fair
2014 Fortune Magazine
2014 Time Magazine
2014 New York Times Magazine
2014 Fortune Magazine
2013 Time Magazine
2013 Vanity Fair
2013 NY Daily News
2013 Huffington Post
2013 New York Times Magazine
2013 Forbes Magazine, Spain
2013 Fortune Magazine
2013 Better Photography, Mumbai
2012 Time Magazine
2012 CBS Sunday Morning
2012 Digital Photo Pro
2012 Weston Magazine Group
2012 Time Magazine
2012 FotoMagazine
2012 Fortune Magazine
2012 Picame
2012 Digital Journal
2012 Fortune Magazine
2012 National Geographic, Story: City Solutions
2011 The Telegraph Online
2011 Oggi
2011 Icon
2011 Flavorwire
2011 Daily Telegraph
2011 Huffington Post
2011 Photo District News
2011 The Sun United Kingdom
2011 The Village Voice
2011 New York Magazine
2011 The New York Times Magazine
2011 Fortune Magazine
2010 Venü
2010 TIME Magazine
2010 Conde Nast Traveler
2010 Communication Arts
2010 Fortune Magazine
2010 Fast Company Magazine
2010 SPREAD ArtCulture, Issue 5
2010 Shanghai: A History in Photographs
2009 New York Magazine
2009 Newsweek Magazine
2009 American Photographer 25 Award of Excellence
2009 New York Times Magazine, The Green Issue, Cover
2009 New York Magazine
2009 SPREAD ArtCulture, Issue 4
2009 Vanity Fair
2009 Vanity Fair
2009 Vanity Fair, Madoff’s World
2008 The Magazine, Volume XVI, Number IV
2008 Exit Magazine, Madrid, Spain
2008 Albuquerque Journal
2008 Santa Fe Reporter
2008 Pasatiempo, The Santa Fe New Mexican
2008 The Outlook Magazine: China
2008 Life Magazine; China
2008 Design Arts Daily: Still Life: China’s Modernization
2008 The Week
2008 Bloomberg.com
2008 New York Magazine On line
2008 Readers Digest
2008 L’Illustre France
2008 Vanity Fair
2008 French Photo
2008 The Village Voice
2008 National Geographic
2008 Focus Magazine
2008 MetroWest Daily New, Gates Publications
2008 The Boston Globe
2008 Los Angeles Times
2007 Art in America
2007 National Geographic
2007 Communication Arts
2007 Vanity Fair
2007 Play Magazine, The New York Times
2006 Forbes Magazine
2006 American Photographer
2006 Time Magazine
2006 The Wall Street Journal
2006 The London Daily Telegraph
2006 Interior Design
2006 ARTnews
2006 Journal of the Print World
2005 Pasatiempo
2004 The Albuquerque North
2005 The Santa Fe New Mexican
2004 The Santa Fe New Mexican
2004 Pasatiempo
2004 Studio Photography & Design
2003 Photo Insider
2003 Art Scene
2003 The Los Angeles Times
2001 Westport Magazine
2001 The New York Times
2001 Communication Arts
2000 Life Magazine
2000 Photo District, News
1998 Life Magazine
1998 The New York Times Magazine
1998 Photo District News
1993 The New York Times Magazine
1988 International Photography Issue # 1
1988 Photo District News
1987 The San Diego Union
1987 Studio Light, Issue #2

Monographs
2019 Day to Night, TASCHEN
2013 Consumption: Prix Pictet
2012 The Human Face of Big Data
2012 Condé Nast Traveler: Photographs
2011 The New York Times Magazine: Photographs
2011 New York: A Photographer’s City
2006 Ellis Island: Ghosts of Freedom, W.W. Norton
1987 California One, The Pacific Coast Highway, Friendly Press